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WHY WE LOST THE WAR. Diego Santillán (El País).

PORQUE PERDIMOS LA GUERRA

Summarizing the Spanish Civil War on film is an extremely difficult, if not impossible, task. The war was more than a simple fight between two disputing sides. It was the total confrontation between two different conceptions of life: those who aspire, with slight variations, to continue living in a world of privileged rulers and a mass of slaves -famished and emaciated before and fat at present though always slaves nevertheless- and on the other hand, those who aspire to live in a better world, more respectable and fairer for everybody. 

That eternal struggle of humanity, more clearly synthesized in our two Spains, so to speak, ended up in a war that, according to many people now, should be forgotten. I personally think that one should get to know it first and, after knowing about it, get over it but without ever forgetting what happened. Those events that are landmarks in the history of humanity, in the history of mankind, should never be forgotten. 

In those days there were many who quickly understood that Spain was heading down a path toward social change that was different from the well-worn paths that always led to the same place: a world of rulers and the ruled. A profound social change, and therefore a genuine and long-lasting transformation, did not suit anyone. It wasn't in the interest of the fascist states of the time, nor the so-called western democracies - not even in that of the newly erected dictatorships built in the name of the workers. Thus, in this way, everybody; liberals, fascists, democrats and communists all contributed to the best of their abilities to ensure that the fighting didn't pave the way to a true social revolution, brought about the way only real revolutions can be waged: from bottom up.

It wasn't convenient for the western capitalist countries because many of them had important economic interests in Spain. It didn't suit the fascists for obvious reasons. And it wasn't in the interest of the Soviets for other paths to be opened other than those devised through the use of "a ruler and a compass" by the Kremlin hierarchs.

And that which was history; many think it should be forgotten. A profound change is of no interest to anyone today either. It doesn't suit the democracies, nor the fascists disguised as liberalists, nor the Soviets. It would, and is, only of interest to the people. But the people don't count. The people have never counted.

That is what the film "Por qué perdimos la guerra" (Why We Lost the War) has tried to show and condemn. To condemn the passivity of the democracies and Stalin's double game, for he was more interested in an agreement with fascism than a victory of the Spanish people. This became a reality as events led to the sinister German-Soviet pact - an agreement that was soon broken, though not by the Russians but by the German fascists who started the war against Russia.

"Por qué perdimos la guerra" will be criticized on many accounts. For instance, it will be said that it isn't an objective film. And I agree because in fact it isn't. It is a totally biased movie. It is biased in the first place because it is on the side of those who lost the war and have never had a chance to tell their story. There is no doubt that history is told by the winners or by those who enjoy the consent of the winners, or -in the most extreme cases- by a few who were on the side that lost but have the means to make propaganda about their past deeds or to erase the treasons that were committed, through silence No. Nobody should look in "Por qué perdimos la guerra" for an impartial and objective version of that horrible war of ours. It is the version of those who lost, the big losers - the Spanish people. After all, I too can ask: What do you mean by an objective and impartial version of the Spanish Civil War?

t will also be said that it is an anarchist film. It isn't. I am not an anarchist myself. I am just a non-conformist. And nonconformity is the natural condition of man, the indispensable condition for evolution to occur. If nonconformity as a natural condition of man is anarchism, it is worth taking into account and studying. But at least for the time being, the two concepts don't figure as synonyms.

Many things will be said about the film, but none of them will be too important. The Spanish Civil War is history. But history is a step into the future. And the future is now…or just around the corner.

DIEGO SANTILLÁN.