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LA NOCHE OSCURA (Informal English title: THE DARK NIGHT OF THE SOUL). Carlos Saura (Extracts of interviews).

LA NOCHE OSCURA

San Juan de la Cruz is a character, along with Philip II, I have always wanted to make a film about. I had a large amount of accumulated material on him and a very clear idea about the story- line: the nine years he spent in prison. That is why I wrote the script quickly.

"La noche oscura" (The Dark Night of the Soul) is a film about mysticism, at least in a religious sense. I say this because, in my opinion, there is a secular mysticism that can be present in the film; there is room for it but not for the other type of mysticism, i.e. the formal one. In this film I try to approach the inner process of poetic creation of Juan de la Cruz - a lofty poet who, after four centuries, is still a popular phenomenon.

Nowadays, with the general ongoing effort in Europe to search for our identity, looking back at a poet like him doesn't imply taking refuge in the past or stepping back to deal with old subjects, but quite the contrary. It is with San Juan de la Cruz that we truly enter into that search for our identity and therefore into our present [...]

I think that one of the most fascinating things about San Juan de la Cruz is the idea that the author isn't the author but the sovereign author - to use a "Calderonian" expression so to speak (that is one which the Spanish classic playwright Calderon de la Barca might have used himself) [...]

At first I had another idea in my mind; to work on the imagination of San Juan, in a far more flamboyant sense, but later on I thought that doing so was engaging in a frivolous game that wasn't in line with the character. Because of that, I have tried to use the least possible narrative elements to tell this story [...]

What I find most attractive about mysticism is the capacity it possesses to probe deeply into the human soul, by resorting to in-depth reflection and relying on an atmosphere that each human being must create as it is not generated spontaneously. One thereby reaches that state of "silence", which is such a beautiful word. After all, San Juan de la Cruz himself speaks about "silent music" in one of his poems.

CARLOS SAURA